Amadeus

Creative license is a great thing. And it is applied to great effect in Milos Forman's glorious Amadeus. All it needed was a decent car chase and some kung fu action scenes and it would be nothing short of a masterpiece. I watched the director's cut and it did not drag for one second of the 173 minutes of its runtime. This is due to great storytelling, sumptous costume and set designs, wonderful acting, a sharp script and of course the sublime music. The right music is used at the right time in the film, so take a bow Milos Forman and your staff of editors and writers and musical advisers. The portrayal of Mozart caused some upset when it was first released in cinemas. The Mozart in the film is giddy, frivolous, temperamental and naive, hence the creative license, but this is intrinstic to the plot. The story centers around the relationship between Mozart and Antonio Salieri, court composer for Emperor Joesph II of Austria. Salieri is infuriated that God has blessed the childish Mozart with such genius and he is so consumed by jealousy that he schemes to wrestle fortune and fame away from his rival. It is also a form of revenge against God, who he feels is mocking him through Mozart. Salieri was a real person and a much respected composer and teacher in 18th century Vienna, but to the best of my knowledge the depiction of his character in Amadeus is highly fictionalized. I've conducted a little research (okay I just looked up Wikipedia) and there might be some truth that the two composers viewed each other as rivals but this seemed to be purely on a professional level and without the drama and tragedy of the film. Revenge and envy are the driving forces of Amadeus, much of the film being a flashback told by an elderly Salieri to a priest in confession, but significant aspects of Mozart's life and music are shown with a mixture of humor and poignancy: his married and family life, the ups and downs of his musical career, his relationship with his father, and of course his genius. Tom Hulce was nominated for an Oscar for his performance as Mozart but he lost out to his co-star F. Murray Abraham. Both are wonderful but, for once, I think the Academy got it right in giving Abraham the award for his portrayal as Salieri. Amadeus is a fascinating, powerful and delicious piece of cinema. 9/10