Philharmonics by Agnes Obel

Agnes Obel, the Danish born, Berlin based singer/songwriter, is a quiet force of nature. A first listening of her debut album, Philharmonics, did not overwhelm me with bigs sounds and attitude. However, over the course of a few spins in my cd player I was gently won over by Obel's whimiscal, well crafted songs, warm vocals, and the bewitching rhythm's of her piano playing. All music is a expression of something human, but many pop acts are restricted by their lack of talent, their lack of vision and the big money of bland corporate shallowness. Stand up Lady Gaga and Justin Bieber. But in Philharmonics there is a strong sense of freedom and integrity, of a young woman more focused on adventure and self-expression through her music. Agnes Oble is not alone in that sense, and the same accolade can be laid at the feet of many other modern alternative acts, like Fleet Foxes, PJ Harvey and Bat For Lashes, to cite some examples. It is ironic then that for a few years Obel struggled to get a recording contract until her breakthrough came when one of her songs was the soundtrack to a corporate ad on television. This got her the notice she deserved and her debut album became a reality. Philharmonics was recorded over three years but there is no sense of disjointment and the songs flow really well together. Obel produced the album as well, giving her more creative control, and maybe this is the reason that instruments are used sparingly and to very good effect. There is a sense of intimacy throughout the album that I found very comforting and appealing. I liked her lyrics without really undestanding them. They are enigmatic and tinged with melancholy, with strong images of nature. Philharmonics is a curious delight and a very promising debut. Standout tracks: Riverside, Brother Sparrow, Avenue, and Close Watch.

8/10